2026 Paper presentation, “Who Looks? Machine, Rock, Insect: The Nonhuman Gaze in Steina Vasulka’s Landscapes,” 2025 Society for Cinema and Media Studies (SCMS) Conference, Chicago, March 26-29 (Panel: Nonhuman Vision and the Cinematic Apparatus)
2025 Paper presentation, “Loving the ‘Monster Machine’: Michael Snow’s Camera Activating Machine and the Cinematic Body,” 33rd Screen Studies Conference (SSC) 2025, Glasgow, June 27-29 (Panel: Humans, Bodies, Objects and Props)
2025 Paper presentation, “Throbbing Colors, Feeling Sounds: Nonhuman Sensation and Experimental Cinema,” Film-Philosophy 2025 Conference, University of Malta, June 23-25 (Panel: Faciality & Sensation in Experimental Film)
2025 Paper presentation, “Mutant Machines: Experiment Apparatuses in Avant-Garde Cinema,” 5th Spiral Film and Philosophy 2025 Conference, Toronto, May 23-24 (Panel: Avant-Garde)
2025 Paper presentation, “Thermocinema: Hot, Fluctuating, and Melting Landscape in Daïchi Saïto’s earthearthearth (2021),” 2025 Society for Cinema and Media Studies (SCMS) Conference, Chicago, April 2-6 (Panel: The Aesthetics of Mediated Ecocriticism)
2025 Paper presentation, “The ‘Garden of Machines’ and its Architect: Exploring José Val del Omar’s Techno-Aesthetic Machinescape,” 2025 College Art Association (CAA) 113th Conference, New York, February 12-15 (Panel: Materials, Techniques, and Media: Rethinking Art Through Experimentations)
2024 Paper presentation, “(Un)making Flesh to Matter,” Graduate Student Conference 2024: (Un)Making, New York University Tisch School of the Arts, New York, April 5-6 (Panel: Vital Materialism: Chains of Disassembly)
2024 Paper presentation, “On Cinema of Garbage: Takahiko iimura’s Kuzu (Junk),” 2024 Society for Cinema and Media Studies (SCMS) Conference, Boston, March 13-16 (Panel: Ecopoetics in Film and Media)
2024 Paper presentation, “The World as Ragged Patchwork and the Body as Glitch: An Analysis of Heecheon Kim’s Deep in the Forking Tanks and Ghost(1990),” 2024 College Art Association (CAA) 112th Conference, Chicago, February 13-17 (Panel: Hauntology and Glitch)
2023 Paper presentation, “Lingering on the Othered Space in the Virtual World: Examining Tsai Ming-liang’s The Deserted,” 2023 The Association for the Study of the Arts of the Present (ASAP) Conference, University of Washington Seattle, October 4-7 (Panel: Embodiment and the Virtual)